If Pedro Lourenco didn’t share the same name as a certain prodigy teen clothing designer in Sao Paulo, I would’ve never had the delight to come across this Portuguese artist’s impressive work. He earns his daily bread through illustration assignments with newspapers, magazines and books, but gets to inject his personal enthusiasm for comic books, music and movies into projects for clubs (Lux/Fragil in Lisbon), record shops (like Flur, “the greatest record shop ever,” he says) and concert posters (The Liars). Next on the production line is a kid’s book and fanzine. Between the two Pedro Lourenco, there should be no mistaken identity here.